Atmospheric synths build into a heavy guitar section. Progressing into an industrial breakdown with distorted bass guitar building again before dropping once more to an anthemic synth breakdown leads to an intense ending.
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Kryptonite
by Thomas Longworth, Ray Loverock, Jonathan Morbin
Atmospheric synths build into a heavy guitar section. Progressing into an industrial breakdown with distorted bass guitar building again before dropping once more to an anthemic synth breakdown leads to an intense ending.
Dark and sinister metal track with ominous bells and ambient fx intro, distorted guitars, bass, heavy drums, and vocal chants. evil and ominous vibes reminiscent of death and speed metal bands of the 80s and 90s.
Sound design and pulsing bass intro along with synth create tension, which leads to a climax with drums and distorted guitars for the Chorus. Resolves as the introductory sound design and pulsing bass revisit.
Punchy percussion and chugging synth are joined by bursts of heavy guitar and builds into a wall of euphoric but dark sound with additional synths and electric guitars.
